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It occurs to me that a lot of the 'bad dialogue' traits seem to work well in comedy, particularly repetitousness. In the case of the wonderful episode of FRAISER, "An Affair to Forget", in which, due to a language barrier, Niles' accusations of adultery towards his wife's fencing instructor has to go through his brother, to the Spanish maid, to the German instructor, and back again. The scene is filled with the same dialogue being repeated back and forth, yet is consistently funny.
On the other hand, perhaps one exchange between the four characters is a single beat, as the scene does progress with each exchange turning the scene.
I wonder, is the principles of faulty dialogue more palatable in comedy, or am I misidentifying these traits?
Also, your adding the lesson numbers as recently suggested is indeed helpful.